Cuatro LucesHow the site was made

Photograph, 16:9. A single 30-foot classic wooden day boat at anchor on a shallow sandbar in a wide tropical bay: varnished mahogany deck and trim, white hull sides with no lettering, a white canvas sunshade on four thin steel poles, cream vinyl bench seats, a low chrome windscreen, a small stern ladder. Exactly one boat. Three-quarter view from the stern-left, camera low at 1.2 metres above the water, 35mm lens, the boat filling the middle third of the frame, anchored facing right. The water around it is shallow, clear turquoise over pale sand, with soft ripples; a thin line of distant green mangrove shoreline on the far horizon, no buildings, no skyline. Golden hour: low warm sun from the left, long reflections of the hull on the water, warm light on the varnish, a soft cool shadow side. Natural colour, true to life, editorial travel photography, sharp focus on the boat, gentle depth of field on the far water. No people. No text, no letters, no numbers, no logos, no flags, no watermark anywhere.

Using the reference photo: keep the exact same boat, the same camera position, the same framing and the same sandbar — change only the time of day to dawn, 20 minutes before sunrise. Sky soft pink to pale blue, the sun not yet visible, glassy water with a thin low mist over the bay, cool diffuse light, the varnish catching a faint pink glow. Nothing else changes: the same single boat in the same position with the same sunshade, no people, no text, no letters, no numbers, no logos.

Using the reference photo: keep the exact same boat, the same camera position, the same framing and the same sandbar — change only the time of day to midday. High sun almost overhead, vivid clear turquoise water, bright pale sand visible through it, a crisp short shadow of the hull on the sandy bottom, a few small white clouds. Nothing else changes: the same single boat in the same position with the same sunshade, no people, no text, no letters, no numbers, no logos.

Using the reference photo: keep the exact same boat, the same camera position, the same framing and the same sandbar — change only the time of day to blue hour, 25 minutes after sunset. Deep blue sky with a last band of orange on the horizon, calm dark-teal water, two small warm lanterns glowing on the boat's stern rail and their reflections on the water. Nothing else changes: the same single boat in the same position with the same sunshade, no people, no text, no letters, no numbers, no logos.

Close photograph, 3:2, of the stern bench of the same wooden day boat as the reference: cream vinyl bench, varnished mahogany trim. On the bench: one open white cooler with ice, bottled water without labels and cut pineapple in a glass container; two snorkel masks with clear silicone straps; three rolled striped beach towels in navy and white. Late-morning sun, turquoise water out of focus behind. No people, no brand names, no labels, no text, no letters, no numbers, no logos.

Split-level over-under photograph, 16:9, half above and half below the waterline, taken beside the same wooden day boat as the reference: the top half shows the boat's varnished hull and white sunshade against a clear blue sky; the bottom half shows the underwater view — the boat's hull from below, its anchor line running down to a sandy bottom with sea grass, a small school of silver fish, sunlight rays in clear turquoise water. The waterline crosses the frame horizontally just above the middle, with a clean dome-port curve. No people, no text, no letters, no numbers, no logos.

Close photograph, 3:2, of a captain's two hands on the varnished wooden steering wheel of the same classic day boat as the reference; the person is out of frame above the wrists — no face, no body beyond the forearms; tanned hands, a plain steel watch with no logo; beyond the wheel, out of focus, the bow and the turquoise bay. Warm morning sun from the right. No text, no letters, no numbers, no logos, no brand marks on the watch or the dashboard.